Sitting Feeding Sleeping from Rachel Rose on Vimeo.

This was posted 2 weeks ago. It has 0 notes.

Gathering material for #WD11

This was posted 4 weeks ago. It has 0 notes.
Staedtler Noris school pencil; Made in Germany, found in Nunhead Cemetery, London (16/09/14)

Staedtler Noris school pencil; Made in Germany, found in Nunhead Cemetery, London (16/09/14)

This was posted 1 month ago. It has 0 notes. .

Truth/Memory/Experience http://www.frieze.com/issue/article/remember_me/

This was posted 1 month ago. It has 0 notes.
James Lee Byars, Untitled (Performable Scroll), c. 1967. Courtesy Michael Werner Gallery, New York & London via MomaPs1.org

James Lee Byars, Untitled (Performable Scroll), c. 1967. Courtesy Michael Werner Gallery, New York & London via MomaPs1.org

This was posted 3 months ago. It has 0 notes. .
a kind of timidity bordering on fear when I was called upon to leave
‘the world of will and idea’ in which I had lived and worked
and in the reality of which I had believed. But the blissful
feeling of liberating non-objectivity drew me into the ‘desert’
where nothing is real but feeling and feeling became the content
of my life. This was no ‘empty square’ which I had exhibited
but rather the sensation of non-objectivity.

Hilbersheimer: Kasimir Malevich and the Non-Objective World (Art Journal, 12/1960, Volume 20, Issue 2)

[Black Square]

This was posted 3 months ago. It has 0 notes.
Ramos-Poquí, Guillem  (1995) “Interdisciplinary Model in Fine Art Education/Research”

Ramos-Poquí, Guillem (1995) “Interdisciplinary Model in Fine Art Education/Research”

This was posted 3 months ago. It has 0 notes. .
Screenshot 2014-07-02 at 22.48

Screenshot 2014-07-02 at 22.48

This was posted 3 months ago. It has 0 notes. .
According to convention, I am not simply what I am doing now. I am also what I have done, and my conventionally edited version of my past is made to seem almost more the real ‘me’ than what I am at this moment. For what I am seems so fleeting and intangible, but what I was is fixed and final. It is the firm basis for predictions of what I will be in the future, and so it comes about that I am more closely identified with what no longer exists than what actually is!
Watts, Alan (1957) The Way of Zen
This was posted 4 months ago. It has 0 notes.
In the perception of the incomprehensible peculiarity of something which is sensually given, we gain a view of our lives in the present that is otherwise not at our disposal. The attention to what is appearing is thus at the same time attention we pay to ourselves.
Seel, Martin (2003), Ästhetik des Erscheines, pg 9. in Peter Lodermeyer (2007) - Personal Structures; Time, Space, Existence (pg 27)
This was posted 4 months ago. It has 0 notes.